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My friend Douglas Coupland-the Canadian novelist who wrote Generation X and many other books-has this theory that a hairdo is a highway into history.
#Ithink architect or stella architect how to
RG: And I got really good at cutting people with Asian hair which is very, very straight, even barbers don't know how to do that too well. HUO: So you would cut the hair of the models? So I did profiles of what their hair would look. That was early on.Īnd then in college I used to do before and after portraits-what it would look like before I would cut their hair. So in high school I cut friends' hairs, and I did cut my girlfriends' hairs. And I learned-the truth is I'm an amateur-how to do all the stuff. RG: Well, I started cutting hair in high school, you know, because I liked the idea of cutting it, I cut my own hair. So the first thing I wanted to be was a barber. RG: My dad went to a barber every morning, and on Saturdays and Sundays-you know, when I could-I would go with him, for him to get his shave. HUO: He talks about clouds in all their elements. It's called, it exists in English now, it's called Theorie du Nuage, The Theory of Clouds.
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It would be of interest to you, that book. HUO: There's a great art history book by this French art historian, he's in his eighties now, he's an old friend of mine called Hubert Damisch. HUO: How interesting, so your mother talked about reading the clouds. So that's what interested me about the title of your book. RG: The reason I noticed your book was because I remember my mother taught me very early, when I was a child, constantly to look for images in clouds. And he told me very early on, don't take 'boss', think 'client'. He said, 'Forget the job, you've found some money.' I don't know if this translates well. Because when I got my first job I said, 'Dad, I got a job'. RG: The main thing was how to find money. But I learned a lot from him that would help an artist. And then, as soon as things got better, and there was more capital around, he died of a heart attack. HUO: So he was an entrepreneur during the years of the Depression? He did many, many things and learned how to do a lot of things. So my father became a very interesting Depression entrepreneur. And my father, if we go back that early, left the shirt factory his father owned, because he didn't get along with his older brother, and he became a street gambler. She went to the Art Institute and began to give me ideas about art pretty early. RG: No, you have to look at it, I don't think. HUO: No, we can see it here, it's trees, no? My mother did this when she was 18, six or seven years before I was born. As a matter of fact there's a painting of hers that you can look at right now. Was there an epiphany or what brought you to art? I wanted to begin with the beginning, as I was curious about how you came to art, and how it all began. HUO: I am very happy that we can finally meet, because I've known your work for such a long time.